“Photography at the Factory Gates”
LaToya Ruby Frazier: The Last Cruze, exh. cat. (Chicago: Renaissance Society, 2020)
“ ‘Decolonize This Place’ : Realism and Humanism in Photography of Israel-Palestine”
“Disassembled” Images: Allan Sekula and Contemporary Art, ed. Alexander Streitberger and Hilde Van Gelder (Leuven, Belgium: Leuven University Press, 2019)
“Documents and Documentary: San Diego, c. 1973”
The Uses of Photography: Art, Politics, and the Reinvention of a Medium, ed. Jill Dawsey, exh. cat. (San Diego: Museum of Contemporary Art San Diego; Oakland: University of California Press, 2016)
“Hostile Takover” Questionnaire
Fear of Content, 9th Berlin Biennale, September 2016
Coeditor (with Marie Muracciole), Special Issue: Allan Sekula and the Traffic in Photographs
“Editors’ Introduction” and “Arresting Figures”
Special Issue: Allan Sekula and the Traffic in Photographs, Grey Room 55 (Spring 2014)
“On Strike: Allan Sekula’s Waiting for Tear Gas”
Sensible Politics: The Visual Culture of Nongovernmental Activism, ed. Yates McKee and Meg McLagan (New York: Zone Books, 2012)
Artforum.com, February 2012
Artforum.com, September 2010
“On Media and Democratic Politics: Videograms of a Revolution”
Harun Farocki: Working on the Sightlines, ed. Thomas Elsaesser (Amsterdam: Amsterdam University Press, 2004)
Excerpted and trans. in Multitud singular: El arte de resistir, exh. cat. (Madrid: Museo Reina Sofia, 2010)