TEXTS

“Photography at the Factory Gates”

LaToya Ruby Frazier: The Last Cruze, exh. cat. (Chicago: Renaissance Society, forthcoming)

“ ‘Decolonize This Place’ : Realism and Humanism in Photography of Israel-Palestine

“Disassembled” Images: Allan Sekula and Contemporary Art, ed. Alexander Streitberger and Hilde Van Gelder (Leuven, Belgium: Leuven University Press, 2019)

Documents and Documentary: San Diego, c. 1973

The Uses of Photography: Art, Politics, and the Reinvention of a Medium, ed. Jill Dawsey, exh. cat. (San Diego: Museum of Contemporary Art San Diego; Oakland: University of California Press, 2016)

Hostile Takover” Questionnaire

Fear of Content, 9th Berlin Biennale, September 2016

Coeditor (with Marie Muracciole), Special Issue: Allan Sekula and the Traffic in Photographs

Grey Room 55 (Spring 2014)

Editors’ Introduction” and “Arresting Figures

Special Issue: Allan Sekula and the Traffic in Photographs, Grey Room 55 (Spring 2014)

On Strike: Allan Sekula’s Waiting for Tear Gas

Sensible Politics: The Visual Culture of Nongovernmental Activism, ed. Yates McKee and Meg McLagan (New York: 
Zone Books, 2012)

Seafarers All

Artforum.com, February 2012

Zwelethu Mthethwa

Artforum.com, September 2010

On Media and Democratic Politics: Videograms of a Revolution

Harun Farocki: Working on the Sightlines, ed. Thomas Elsaesser (Amsterdam: Amsterdam University Press, 2004)
Excerpted and trans. in Multitud singular: El arte de resistir, exh. cat. (Madrid: Museo Reina Sofia, 2010)