{"id":45,"date":"2018-02-08T13:18:36","date_gmt":"2018-02-08T13:18:36","guid":{"rendered":"http:\/\/benjaminyoung.info\/?page_id=45"},"modified":"2021-10-21T17:04:30","modified_gmt":"2021-10-21T21:04:30","slug":"talks","status":"publish","type":"page","link":"https:\/\/benjaminyoung.info\/talks\/","title":{"rendered":"
TALKS<\/div>"},"content":{"rendered":"

Capture and Counter-documentary: Art and Photographic Realism in the 1970s<\/p>\n

Society of Fellows, Heyman Center for the Humanities, Columbia University, New York, October 28, 2021<\/a><\/p>\n

Photography at the Factory Gates: LaToya Ruby Frazier’s The Last Cruze<\/i><\/p>\n

Society of Fellows, Heyman Center for the Humanities, Columbia University, New York, September 10, 2020<\/a><\/p>\n

LaToya Ruby Frazier: The Last Cruze<\/i><\/p>\n

Panel discussion with Werner Lange and LaToya Ruby Frazier.
\nRenaissance Society, University of Chicago, Chicago, October 12, 2019<\/a><\/p>\n

Allan Sekula: Photography, A Wonderfully Inadequate Medium<\/p>\n

Panel discussion with Benjamin H.D. Buchloh, Marie Muracciole, and Stephanie Schwartz.
\nMarian Goodman Gallery, London, May 18, 2019<\/a><\/p>\n

Thinking Through Farocki<\/p>\n

New York University, New York, April 28, 2019<\/p>\n

Media and Its Apparatuses<\/p>\n

Panel discussion with Anthony Cokes, Jonathan Crary, LaToya Ruby Frazier, Laura Mulvey, and Soyoung Yoon.
\nIndependent Study Program, 1968\u20132018: 50th Anniversary Symposium<\/i><\/a>, Whitney Museum of American Art, New York, October 20, 2018<\/p>\n

Fish Story<\/i> by Allan Sekula<\/p>\n

Panel discussion with Eduardo Cadava, Nadja Millner-Larsen, and Sally Stein.<\/a>
\nE-Flux, New York, September 21, 2018<\/p>\n

\u201c\u200a\u2018Almost Nothing\u2019\u200a: Reinventing Documentary after Brecht\u201d<\/p>\n

Paper presented at From Monsters to Models: Representing the World Economy and Its Discontents<\/a>.
\nLeuphana University of L\u00fcneburg, Germany, July 2018<\/p>\n

\u201c\u200a\u2018Decolonize This Place\u2019\u200a: Realism and Humanism in Photography of Israel-Palestine\u201d<\/p>\n

Paper presented at \u201cDisassembled Images\u201d: Contemporary Art after Allan Sekula<\/a>.
\nUniversity of Leuven and Museum van Hedendaagse Kunst Antwerpen (M HKA), Antwerp, March 2017<\/p>\n

Moderator, Sense of Emergency: Politics, Aesthetics, Trumpism<\/p>\n

New York University, December 2016<\/p>\n

\u201cEscape from Fantasy Island: Activist Adventures in the Pseudo-Public Sphere\u201d<\/p>\n

Paper presented at Acts of Dissent: Reflections on Art & Politics in the 21st Century.
\nCollege Art Association, Chicago, February 2014<\/p>\n

\u201cArresting Figures\u201d<\/p>\n

Paper presented at Colloque Allan Sekula: La photographie au travail<\/a>.
\nCentre Pompidou, Paris, June 2013<\/p>\n

\u201cArt\/Strike\u201d<\/p>\n

Paper presented at How Can Art Effect Political Change?<\/a>
\nVera List Center for Art and Politics, New School University, New York, October 2012<\/p>\n

Organizer and panelist, Sympathetic Materialism: An Evening with Allan Sekula.<\/p>\n

Screening and discussion with Allan Sekula.
\n16 Beaver Group, New York, February 2012<\/p>\n

Co-organizer, Occupation: Calls and Responses. An open call and artist presentations relating to Occupy Wall Street<\/p>\n

16 Beaver Group, New York, October 2011<\/p>\n

Co-organizer and panelist, Something Becomes Visible: A Molecular Seminar On\/With Harun Farocki<\/a><\/p>\n

Three days of screenings and seminars on the work of Harun Farocki.
\n16 Beaver Group, New York, November 2010<\/p>\n","protected":false},"excerpt":{"rendered":"

Capture and Counter-documentary: Art and Photographic Realism in the 1970s Society of Fellows, Heyman Center for the Humanities, Columbia University, New York, October 28, 2021 Photography at the Factory Gates: LaToya Ruby Frazier’s The Last Cruze Society of Fellows, Heyman Center for the Humanities, Columbia University, New York, September 10, 2020 LaToya Ruby Frazier: The … <\/p>\n

Continue reading “<\/p>\n

TALKS<\/div>\n

“<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/pages\/45"}],"collection":[{"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":2,"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/pages\/45\/revisions"}],"predecessor-version":[{"id":384,"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/pages\/45\/revisions\/384"}],"wp:attachment":[{"href":"https:\/\/benjaminyoung.info\/wp-json\/wp\/v2\/media?parent=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}